I’m not crashing, this is my party, my history

The collection juxtaposes the virginal royal fiancée, pre-wedding, with Nan Goldin's gritty snapshots of real life, focusing on AIDS, violence, and sex. Both muses epitomize opposing aspects of eighties culture, with an emphasis on sex positivity, especially in the sex work industry. My print, depicting discarded lingerie from a sexual encounter, expands on this theme and explores slogans and words on garments in both political and playful contexts, promoting sustainable repurposing of materials. Using 80s classics like Lycra, denim, and taffeta in a modern way, the collection’s silhouettes draw from Lady Diana's early, non-sexual style, which is ironic given her later status as a fashion icon post-divorce. I am a London/Brighton-based designer with a Fashion BA (Hons) from the University for the Creative Arts. My designs gravitate towards oversized 80s silhouettes combined with my photography prints to communicate sex positivity. My pre-collection was a finalist in the DAZED X BFC competition Beyond Borders, leading to an editorial shoot featured in Dazed Digital. My collection was also photographed for Graduate Fashion Week and my portfolio featured online. Influences include Nan Goldin’s work and Princess Diana’s early style. Current designers I admire are Berlin-based Namila for their sex-positive designs, Vetements for their modern oversized proportions, and Richard Quinn for his fabric prints. These influences shape my brand and creative process. In the future, I aim to develop my fabric prints further and challenge conventions around sex and sex work in fashion. My designs seek to spark conversations and challenge assumptions with a playful twist.